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The Olivier Theatre
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7.30pm Tuesday 29 April
Eckersley Lecture
UTOPIA THEORY:
THE PHYSICS OF SOCIETY
“Are you predictable? Do you follow
the crowd? No one likes to think of
themselves this way, but I will show
that both of these things may be true
of all of us to a greater extent than
we realise. I will explore the idea that
when humans interact in large groups– whether that be, for example, in
crowds, in traffic, or in the ways we
make our decisions – the overall group
behaviour is often governed by ‘natural
laws’ similar to the laws of physics,
and which can be understood using
some of the same theoretical tools
that physicists use. I will suggest that
this, far from insisting on a depressing
vision of a robotic society, in fact offers
ways to make our social structures and
institutions better and more effective.”
PHILIP BALL is a freelance writer
and a consultant editor for Nature.
He writes regularly in the scientific
and popular media, and his ten
books on scientific subjects include‘Critical Mass: How One Thing Leads
To Another’, which won the 2005
Aventis Prize for Science Books.
Philip Ball studied chemistry at
Oxford and holds a doctorate in
physics from the University of Bristol.
Free Tickets
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8.00pm Friday 2 May
JOHNNY FLYNN and
THE SUSSEX WIT
A very special, one-off concert, in which the
two headline performers
are returning to a stage
where they learnt some of
their craft and a theatre
where they saw some
inspirational professional
performances.
Johnny Flynn’s music is brimming over
with heart, soul and intelligence.
Drawing on diverse influences – The
Pixies, Vaughan Williams and anti-folk
pioneer Dianne Cluck are all name
checked on his MySpace page – and
acknowledging his debt to these
musical traditions but never being
overwhelmed by them, Johnny is said
to offer an alternative of substance to
those who have grown sick of flimsy
singer songwriters and their inane
observations.
Johnny Flynn spent much of Autumn
2007 deep in the Seattle countryside,
recording his debut album with
producer Ryan Hadlock (The Gossip,
The Strokes, Regina Spektor) at his
secluded Bear Creek studio. Here
they managed to capture the raw
energy of Johnny Flynn and The
Sussex Wit’s live shows, underpinning
the acoustic guitar, cello and ukulele
with muscular drums and bass.
New single ‘Leftovers’ provides a
revealing taste of what’s to come:
Johnny’s rich melodies and lyricism
are driven onwards by a pounding
rhythm section.
www.myspace.com/johnnyflynn
www.johnnyflynnmusic.co.uk
GRACE BANKS launches the
evening with a half-hour set of her
own songs. Inspired by the likes
of Joni Mitchell and Elliott Smith,
Grace writes thoughtful lyrics and
twisting melodies with the occasional
jazz-influenced chord. She reckons
that she is, possibly, the acousticguitar-
strumming equivalent of Halls
Soothers. Grace currently lives in
London, where she does most of her
performing.
www.myspace.com/gracebanks
£9 / £7 conc. |
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8.00pm Tuesday 6 May
jazz series
THE ART OF SOUND
John Law piano
Sam Burgess double bass
Asaf Sirkis drums
The Art of Sound trio takes its name from the Artesuono studio in which it recorded its first album. The Art of Sound Volume 1, released on 33 Records, features some of John Law’s most beautiful compositions, many of which will be played on the present tour.
These compositions offer great variety, from very simple grooves to more abstract textures, and from highly expressive ballads with a classical feel for tonal simplicity to rhythmically complex structures. The trio also plays the occasional new version of a jazz standard…
“The aim of the trio is not really for virtuosic solos – that doesn’t interest us so much. But rather to create a new, totally unified composition, spontaneously, every time we play. Instrumental technique is, for the trio,
very much a means to an end, not the end itself.”
“A band heading for great things!”
John Fordham,
Jazz UK / The Guardian
This concert is part of a UK tour supported by Jazz Services.
£9 / £7 conc.
www.bedalesjazz.org.uk
www.johnlaw.org.uk |
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7.30pm Tuesday 13 May
AS THEATRE STUDIES
Six Theatre Studies groups, from the first year of the sixth form, have been exploring themes as diverse as ‘the perfect clone’ and the dangers and fears of the ‘nightscape’. They have a broad canvas in what
is always, in the final analysis, some manner of exploration of the human condition.
Dark themes are always tempting for their dramatic potential and some of the resulting work may not appeal to all or be suitable for younger children. That said, all of these projects call on a wealth of theatre skills to produce
what we hope will be unique performances. Of course, the devising process can take the most unexpected turns, and the final performances may be very different from their current projections!
Free Tickets |
2.30pm Saturday 28 June
(Parents’ Day guests)
7.30pm Monday 30 June & Tuesday 1 July
The Junior Play
THE TEMPEST
William Shakespeare
The Junior Play draws on just the
first two years
of the senior school
and this year the
director has spirited her
young cast away to an
isle full of noises, sounds
and sweet airs…
Prospero, with his daughter Miranda,
watches as the ship carrying his
former court is wrecked before their
eyes. How is it, then, that all on board– courtiers, sailors and drunken
butlers alike – survive? Revenge, love,
sorcery and a definite case of
insobriety follow, as the ship-wrecked
explore this island of spirits and
monsters.
Free Tickets |
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